Behind the Scenes: |
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Call to Arms Taken on their own, the title sequences provide a good sense of the chaotic state of the studio at the time. The first seven episodes feature the "shooting gallery" opening and closing sequence, which was shot about three months into production by Harry Booth for Clemens and Fennell after their return. The "fields of armor" opening and "card trick" closing sequences came about six months later, and were shot by Robert Fuest for the fourth U.S. season. These titles were then subsequently grafted onto all of the first seven episodes for transmission in the U.K. with the inexplicable exception of "Split!." This explains why some U.S. fans may be confused by what they see on the videos—they remember seeing several episodes with the "shooting gallery" titles when the series originally aired, yet don't find them on the videos, which are derived from the post-title-switch U.K. film masters. By the way, the cards used in the closing credits were produced exclusively for either the Magic Circle, Britain's society for magicians, or Davenport's Magic Shop (7 Charing Cross, Underground Arcade, The Strand, London, Telephone: 020-7836-0408, Fax: 020-7379-8828). And John Wade was the man who did the tricks. Likely in an effort to create room for more advertising, the U.S. saw fit to take a chainsaw to the "fields of armor" sequence, shortening it by more than half. Here are the gory details. The original UK version is ~49 seconds long and consists of 18 shots: 1. Fade up to still-life of sword, flag and
bowler, super text: The Avengers in Color," fade to black. Music: drum roll. The US version is ~23 seconds long and consists of 10 shots: 1. Fade up to still-life of sword, flag and
bowler, super (larger) text: "The Avengers in Color." Music: theme. |
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