Visitor Reviews
Page 24 of 164

The White Dwarf
by Frankymole, Bristol

As an amateur, I think it has reasonably good astronomy for its time, at least as far as the observatory procedures (theories about the genesis of the Solar System were many and varied in 1963!). Wisely centered around a nice multilevel set, expertly lit (far more convincing than observatories which appear in the color years). A reasonable murder-mystery romp, though with no real clues (to allow the viewer to play, too), and we see very little of romantic Cornwall where it's set (Cornwall is the Southwest tip of England, a storm-lashed former haven of smugglers and pirates, now favored by artists, sailors and walkers). The establishing shot film inserts merely show a London street, not unusual for season 2.

The Avenged?: Two corpses in Cornwall! Veteran telefantasy actor Keith Pyott (Doctor Who, The Prisoner) and also an intelligently-presented ethnic minority role with Dr Rahim. In the first half of the 1960s, The Avengers was actually ahead of most TV series with respect to diversity — odd, when compared with the show's late 1960s stereotyped portrayal of England as white and middle-class. There's also one pseudo-American financier in London: perhaps the first season 2 corpse to avoid blinking at an end-of-Act commercial break!

Diabolical Masterminds?: Grubby profiteers, really, though George A. Cooper has a climactic blazing rooftop gunfight with Macnee (on film), and Philip Latham has a certain sardonic charm as a cardigan-wearing astronomer. A far cry form the evil President Borusa in Doctor Who, yet similar in some ways. Everyone seems to be having a ball, which helps.

The Avengers?: Cathy has an ill-considered furry coat which she seems to share with one of the other characters (Luke Richter)! Steed seems to get only four or five scenes. Cathy's substitution of some slides, which will expose the murderers — in the dark, sneaking about an observatory — is extremely tense, helped by some great suspense music (music throughout is above par for the season). I like her amusement in scenes where Steed tries to learn astronomy (the Boy's Book of... scene and the tag scene). In that Boy's Book of Astronomy scene, where does Steed go? Am I right that he says he is going out, but veers off and vanishes off-set before reaching the front door?

Umbrella, Charm and a Bowler Hat?: Yes, Steed's on form and elegant in his scenes. I can't really imagine him voluntarily sleeping in the bath, though.

Bizarre?: The attempt to shoot from unusual angles results in an unfortunate angle on the backdrop outside the observatory doors. It makes the horizon look so far below us we seem to be on a huge mountain — more Canary Islands than Cornwall. Nevertheless, the set as a whole is superbly detailed and lit.

This installment successfully continues with the unusual venues dreamt up for season 2 plots. Not very engaging characters, but mostly well acted. DVD transfer is pretty crisp. Some viewers find the ending hard to follow, so pacing is suspect. There are a few gripping bits though, so I give it a score of two bowlers (out of 4).

The White Dwarf
by Matthew Moore, a.k.a. Sixofone

Plot: Good. This is an intriguing idea, and there is some believability to it. It did get confusing near the end; I didn't figure out that Cathy had switched the picture until after the episode was over—maybe I was too sleepy at the time.

Humour: OK. The hotel landlady was quite funny, especially when Steed arrived and there were no rooms. "Stars are really like our sun, burning masses of gas. Every now and then one of them explodes." "Every now and then meaning every couple of million years." "Not necessarily; there was one quite recently in 1054..." "Bang up to date!"

Direction: Good. One mess-up at 35:53, which I found quite entertaining.

Acting: Very Good. Great performances from everyone in the cast, but Constance Chapman stole the show for me.

Tag: Poor. What was the point of this tag?

Overall Rating: 4/10

The White Dwarf
by Simon D

An audacious plot even for The Avengers: the end of world. What a coincidence that Cathy Gale was an anthropologist with an interest in physics and astronomy, while Emma Peel was a physicist with an interest in anthropology. I largely agree with Frankymole about the episode, but I disagree with him about the science. Cathy's description of stellar evolution and the origin of white dwarfs was perhaps a reasonable sketch of what was believed in 1962, but the rest of the astronomy is hopelessly wrong. Apparently, the reason why the white dwarf hasn't been seen for the last six months is because it's been hidden behind the Moon. To do that it would have to already be not far beyond the Moon's orbit around the Earth! The entry of another star into our solar system would be very unlikely to send us into the Sun as claimed, although it would disrupt the orbits of the planets and condemn the Earth to drastic climate change. So what? This is The Avengers. Reality is checked in at the door. The episode is fairly good, although it suffers from the Gale-era annoyance of the villains explaining most of their plan to us at the beginning, which seems very dated now. By contrast, the ending is difficult to follow. It's odd that the story is played out rather slowly, but then the resolution happens in a flash. Maybe the earlier scenes had taken even longer than planned so they had to shorten the conclusion?

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Page last modified: 5 May 2017.

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